275 bars of 4/4 at a walking 90 BPM, 12:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-17, ride through bars 18-25, snare through bars 26-41, hi-hat through bars 42-57, snare through bars 58-63 and hi-hat through bars 64-65, and 24 more changes after that.
The beat the song is built on is one bar, played through bars 34-40, 42-56 and 76-90, and 4 more places -- 25.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
34
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
BD |x---x---x---x---|17 fills to learn, played 56 times: bars 33, 41, 57, 63, 65, 69 and 50 more.
It cuts the song into 64 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 10 out of 100; the rest of the number is everything around it.
275 bars, about 12:12 at the written tempo. The course breaks it into 64 exercises over 15 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 56 times: bars 33, 41, 57, 63, 65, 69 and 50 more.