216 bars at 184 BPM -- fast, and 4:42 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bar 1, silence through bars 2-4, toms through bars 5-8, kick and crashes through bars 9-10, silence through bars 11-12 and toms through bars 13-16, and 23 more changes after that.
The beat the song is built on is one bar, played through bars 57-62, 65-70 and 121-126, and 5 more places -- 22.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
58
1e+a2e+a3e+a4e+a
HH |o-------o-------|
SD |--------x-------|
T2 |------------x---|
FT |----x-----------|
BD |x---------x-----|5 fills to learn, played 27 times: bars 5, 6, 7, 8, 13, 14 and 21 more.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
184 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
216 bars, about 4:42 at the written tempo. The course breaks it into 33 exercises over 8 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 27 times: bars 5, 6, 7, 8, 13, 14 and 21 more.