267 bars at 200 BPM -- fast, and 5:20 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-70, toms through bars 71-72, hi-hat through bars 73-79, toms through bars 80-81, hi-hat through bars 82-101 and snare through bars 102-105, and 14 more changes after that.
The beat the song is built on is one bar, played through bars 2-6, 10-15 and 18-20, and 10 more places -- 20.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---xx--x---xx--|32 fills to learn, played 64 times: bars 1, 7, 9, 16, 21, 23 and 58 more.
It cuts the song into 88 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 75 out of 100; the rest of the number is everything around it.
267 bars, about 5:20 at the written tempo. The course breaks it into 88 exercises over 24 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
32 fills to learn, played 64 times: bars 1, 7, 9, 16, 21, 23 and 58 more.