68 bars of 6/4 -- not four -- at 138 BPM, 2:57 of playing on crash, ride, snare, high tom, mid tom, floor tom and kick.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-21, toms through bars 22-29, ride through bars 30-46 and silence through bars 47-68.
The beat the song is built on is one bar, played through bars 30, 32 and 34, and 5 more places -- 30.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
30
1.....2.....3.....4.....5.....6.....
CC |x-----------------x-----------------|
RD |------x-----x-----------x-----x-----|
SD |------------------x--------------g--|
BD |x-----x-----x-----------------------|6 fills to learn, played 10 times: bars 21, 23, 25, 27, 28, 29 and 4 more.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
138 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
68 bars, about 2:57 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 22 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 21, 23, 25, 27, 28, 29 and 4 more.