237 bars of 4/4 at 124 BPM, about 7:39 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 2-130, silence through bars 131-138, hi-hat through bars 139-150, silence through bars 151-153, hi-hat through bars 154-186 and toms through bars 187-188, and 3 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 18-89 and 202-209 -- 35.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
18 19
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
SD |xxxxx-x-----x---|------x-----x---|
BD |x---x-----x-----|--x-x-----x-----|6 fills to learn, played 11 times: bars 133, 137, 141, 145, 149, 185 and 5 more.
It cuts the song into 34 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
237 bars, about 7:39 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 133, 137, 141, 145, 149, 185 and 5 more.