157 bars of 4/4 at a walking 93 BPM, 6:40 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
72 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-28, snare through bars 29-44, ride through bars 45-53, snare through bars 54-73, ride through bars 74-82 and snare through bars 83-98, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 54-60, 83-89 and 91-98, and 4 more places -- 28.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
56
1e+a2e+a3e+a4e+a
CC |x-x---x---x---x-|
SD |--x---x---x---x-|
BD |x--x-x-x-x--x--x|
HF |-xxxxxxxxxxxxxxx|16 fills to learn, played 57 times: bars 11, 12, 14, 16, 18, 20 and 51 more.
It cuts the song into 49 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
93 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
157 bars, about 6:40 at the written tempo. The course breaks it into 49 exercises over 17 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 57 times: bars 11, 12, 14, 16, 18, 20 and 51 more.