218 bars at 174 BPM -- fast, and 5:01 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
68 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-7, kick and crashes through bars 8-12, snare through bars 13-20, hi-hat through bars 21-24, snare through bars 25-32 and kick and crashes through bars 33-40, and 25 more changes after that.
The beat the song is built on is one bar, played through bars 21-23, 49-51 and 53-55, and 14 more places -- 23.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
72
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---xx--x--x-x--|32 fills to learn, played 66 times: bars 8, 20, 24, 32, 39, 40 and 60 more.
It cuts the song into 74 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
174 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 71 out of 100; the rest of the number is everything around it.
218 bars, about 5:01 at the written tempo. The course breaks it into 74 exercises over 20 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
32 fills to learn, played 66 times: bars 8, 20, 24, 32, 39, 40 and 60 more.