108 bars of 4/4 at a walking 95 BPM, 4:33 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-8, hi-hat through bars 9-44, toms through bars 45-72 and hi-hat through bars 73-108.
The beat the song is built on is a 2-bar phrase, played through bars 45-72 -- 28% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
45 46
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
SD |--x-x-xx-xx-x-x-|--xxx-xx-xxxx-x-|
T2 |--------------x-|x-------------x-|
FT |x-------------x-|x---------------|3 fills to learn, played 10 times: bars 12, 16, 20, 40, 82, 84 and 4 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 12 out of 100; the rest of the number is everything around it.
108 bars, about 4:33 at the written tempo. The course breaks it into 24 exercises over 6 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 10 times: bars 12, 16, 20, 40, 82, 84 and 4 more.