128 bars of 4/4 at a walking 87 BPM, 5:53 of playing, on hi-hat, snare, mid tom, floor tom and kick.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-3, kick and crashes through bars 4-8, snare through bars 9-15, hi-hat through bars 16-24, kick and crashes through bars 25-28 and snare through bars 29-33, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 16-19, 21-23 and 34-47, and 6 more places -- 43.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
16
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |--x---x---x---x-|
BD |x--x-x--x--x-x--|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 22 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
128 bars, about 5:53 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 25 minutes each.
hi-hat, snare, mid tom, floor tom and kick. Nothing in the part asks for anything else.