97 bars of 4/4 at 132 BPM, about 2:56 of playing, on crash, ride, hi-hat, snare and kick.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-55, ride through bars 56-60, hi-hat through bars 61-68, ride through bars 69-70 and hi-hat through bars 71-80, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 11-15, 26 and 29-35, and 1 more place -- 29% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11
1e+a2e+a3e+a4e+a
HH |x---x---x---x---|
SD |----x-------x---|
BD |x-x---x---------|6 fills to learn, played 12 times: bars 27, 28, 36, 51, 52, 60 and 6 more.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
97 bars, about 2:56 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
6 fills to learn, played 12 times: bars 27, 28, 36, 51, 52, 60 and 6 more.