282 bars at 190 BPM -- fast, and 5:48 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
67 out of 100: demanding, mostly on how many notes a second it asks for.
snare through bar 1, silence through bars 2-16, snare through bars 17-20, hi-hat through bars 21-22, toms through bars 23-24 and hi-hat through bars 25-42, and 18 more changes after that.
The beat the song is built on is one bar, played through bars 21-22, 41-42 and 45-46, and 11 more places -- 27.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
21
1e+a2e+a3e+a4e+a
HH |x---x---x---x---|
SD |x---x---x---x---|
BD |xxxxxxxxxxxxxxxx|22 fills to learn, played 54 times: bars 12, 13, 14, 16, 17, 23 and 48 more.
It cuts the song into 68 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
190 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
67 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 58 out of 100; the rest of the number is everything around it.
282 bars, about 5:48 at the written tempo. The course breaks it into 68 exercises over 19 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 54 times: bars 12, 13, 14, 16, 17, 23 and 48 more.