171 bars of 4/4 at 119 BPM, about 5:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, kick and crashes through bars 5-6, hi-hat through bars 7-38, toms through bars 39-46, hi-hat through bars 47-62 and silence through bars 63-79, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 23-25, 27-29 and 31-33, and 12 more places -- 25.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
24
1e+a2e+a3e+a4e+a
HH |--o---o---o---o-|
SD |------x-------x-|
BD |x---x-----xxx---|13 fills to learn, played 36 times: bars 14, 21, 22, 30, 34, 40 and 30 more.
It cuts the song into 47 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
119 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
171 bars, about 5:41 at the written tempo. The course breaks it into 47 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 36 times: bars 14, 21, 22, 30, 34, 40 and 30 more.