74 bars of 4/4 at a walking 95 BPM, 3:15 of playing, on crash, ride, hi-hat, snare, high tom and kick.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-16, ride through bars 17-71 and silence through bars 72-74.
The beat the song is built on is one bar, played through bars 17-22, 24-26 and 28, and 6 more places -- 78.6% of every bar the kit plays. Learn that one and the song is very nearly finished.
32
1e+a2e+a3e+a4e+a
CC |----x-------x---|
RD |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-----x-x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 8 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
74 bars, about 3:15 at the written tempo. The course breaks it into 8 exercises over 3 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.