67 bars of 4/4 at a walking 105 BPM, 2:35 of playing, on crash, hi-hat, snare, floor tom and kick.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4 and hi-hat through bars 5-67.
The beat the song is built on is one bar, played through bars 13-66 -- 84.4% of every bar the kit plays. Learn that one and the song is very nearly finished.
17
1e+a2e+a3e+a4e+a
CC |------------x---|
HH |o-o-o-o-o-o---o-|
SD |x-------x-------|
BD |--xx-xx---x-x-x-|2 fills to learn, played 2 times: bars 4 and 67.
It cuts the song into 9 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
67 bars, about 2:35 at the written tempo. The course breaks it into 9 exercises over 3 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
2 fills to learn, played 2 times: bars 4 and 67.