132 bars of 4/4 at a walking 76 BPM, 7:02 of playing, on crash, ride, snare, high tom, mid tom, floor tom and kick.
35 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
The time is kept on the ride the whole way through.
The beat the song is built on is one bar, played through bars 2-3, 7 and 10, and 17 more places -- 18.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2
1e+a2e+a3e+a4e+a
RD |x-----x-----x---|
SD |g---------g-----|
BD |x---------------|11 fills to learn, played 32 times: bars 4, 39, 43, 45, 51, 55 and 26 more.
It cuts the song into 40 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
76 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
35 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 14 out of 100; the rest of the number is everything around it.
132 bars, about 7:02 at the written tempo. The course breaks it into 40 exercises over 10 sittings, about 26 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 32 times: bars 4, 39, 43, 45, 51, 55 and 26 more.