328 bars of 4/4 at a walking 100 BPM, 13:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
77 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-36, snare through bars 37-38, toms through bars 39-40, hi-hat through bars 41-90 and toms through bars 91-92, and 23 more changes after that.
The beat the song is built on is one bar, played through bars 75-90, 93-94 and 97-98, and 6 more places -- 35% of every bar the kit plays. Learn that one and most of the song is already under your hands.
76
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |--x---x---x---x-|
BD |xxxxxxxxxxxxxxxx|14 fills to learn, played 28 times: bars 11, 12, 37, 38, 74, 91 and 22 more.
It cuts the song into 61 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
328 bars, about 13:07 at the written tempo. The course breaks it into 61 exercises over 14 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 28 times: bars 11, 12, 37, 38, 74, 91 and 22 more.