136 bars at 190 BPM -- fast, and 2:52 of it without a break -- on crash, hi-hat, snare and kick.
77 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-16, snare through bars 17-24, hi-hat through bars 25-30, snare through bars 31-48, hi-hat through bars 49-64 and kick and crashes through bars 65-66, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 49-59, 61-64 and 113-123, and 1 more place -- 22.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
52
1.......2.......3.......4.......
HH |o-------o-------o-------o-------|
SD |--------x---------------x-------|
BD |x--x-x--x--x-x--x--x-x--x--x-x--|3 fills to learn, played 7 times: bars 8, 34, 38, 46, 72, 84 and 1 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
190 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 80 out of 100; the rest of the number is everything around it.
136 bars, about 2:52 at the written tempo. The course breaks it into 37 exercises over 13 sittings, about 25 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 7 times: bars 8, 34, 38, 46, 72, 84 and 1 more.