114 bars, 6:10, at 72 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-10, hi-hat through bars 11-14, kick and crashes through bars 15-16, hi-hat through bars 17-60, kick and crashes through bars 61-68 and hi-hat through bars 69-114.
The beat the song is built on is one bar, played through bars 12-14, 18-19 and 22-23, and 10 more places -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
31
1...........2...........3...........4...........
HH |x-----x-----x-----x-----x-----x-----x-----x--x--|
SD |------------x-----------------------x-----------|
BD |x-----------------------x-----------------------|7 fills to learn, played 11 times: bars 25, 27, 48, 50, 68, 76 and 5 more.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
72 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
114 bars, about 6:10 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 25, 27, 48, 50, 68, 76 and 5 more.