243 bars at 200 BPM -- fast, and 4:52 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-17, snare through bars 18-24, hi-hat through bars 25-33, snare through bars 34-41, hi-hat through bars 42-81 and toms through bars 82-83, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 84-90, 92-96 and 132-136, and 9 more places -- 15.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
84
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x---x-------x-x-|13 fills to learn, played 31 times: bars 25, 32, 33, 37, 41, 49 and 25 more.
It cuts the song into 58 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
243 bars, about 4:52 at the written tempo. The course breaks it into 58 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 31 times: bars 25, 32, 33, 37, 41, 49 and 25 more.