72 bars of 4/4 at a walking 81 BPM, 3:33 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-9, snare through bars 10-16, hi-hat through bars 17-25, snare through bars 26-32, hi-hat through bars 33-40 and kick and crashes through bars 41-52, and 1 more change after that.
The beat the song is built on is one bar, played through bars 17-19, 21-23 and 33-35, and 6 more places -- 37.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
17
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |o-o-o-o-o-o-o-o-|
SD |----x-------x---|
BD |xx----xx--x-----|3 fills to learn, played 4 times: bars 16, 32, 45 and 46.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
81 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
72 bars, about 3:33 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
3 fills to learn, played 4 times: bars 16, 32, 45 and 46.