153 bars of 4/4 at 140 BPM, about 4:38 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-37, ride through bars 38-41, hi-hat through bars 42-69, ride through bars 70-77, hi-hat through bars 78-89 and ride through bars 90-100, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 22-24, 26-28 and 30-32, and 9 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
23
1.......2.......3.......4.......
HH |x---x---x---x---x---x---x---x---|
SD |--------x---------------x-------|
BD |x---x-x-----x-x-x---x-x-----x---|7 fills to learn, played 18 times: bars 21, 45, 69, 75, 78, 79 and 12 more.
It cuts the song into 42 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 74 out of 100; the rest of the number is everything around it.
153 bars, about 4:38 at the written tempo. The course breaks it into 42 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 18 times: bars 21, 45, 69, 75, 78, 79 and 12 more.