97 bars of 4/4 at 140 BPM, about 2:46 of playing, on crash, hi-hat, snare, mid tom and kick.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-10, snare through bars 11-26, kick and crashes through bars 27-30, hi-hat through bars 31-38, snare through bars 39-62 and hi-hat through bars 63-76, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 31-37, 63-65 and 67-69, and 2 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
31
1e+a2e+a3e+a4e+a
CC |x-------x-x-x-x-|
HH |--o-o-o---------|
SD |--xxxxxx--------|
BD |x-xxxxxxx-x-x-x-|6 fills to learn, played 7 times: bars 6, 8, 38, 42, 46, 66 and 1 more.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 43 out of 100; the rest of the number is everything around it.
97 bars, about 2:46 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
6 fills to learn, played 7 times: bars 6, 8, 38, 42, 46, 66 and 1 more.