205 bars of 4/4 at 132 BPM, about 6:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-18, kick and crashes through bars 19-41, snare through bars 42-61, toms through bars 62-63, snare through bars 64-69 and toms through bars 70-71, and 19 more changes after that.
The beat the song is built on is one bar, played through bars 64-66, 68-69 and 71-74, and 19 more places -- 30.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
64
1e+a2e+a3e+a4e+a
CC |------x-----x---|
SD |----x-------x---|
BD |x---x-x-----x---|
HF |x-x-x-x-x-x-x-x-|10 fills to learn, played 17 times: bars 62, 98, 117, 118, 129, 130 and 11 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
205 bars, about 6:11 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 17 times: bars 62, 98, 117, 118, 129, 130 and 11 more.