85 bars of 4/4 at a walking 84 BPM, 4:03 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
35 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-15, silence through bars 16-26, hi-hat through bars 27-54, silence through bars 55-60 and hi-hat through bars 61-73, and 1 more change after that.
The beat the song is built on is one bar, played through bars 28-35, 37-42 and 45-50, and 2 more places -- 43.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
28
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |x-------x-------|
BD |----x-------x---|4 fills to learn, played 7 times: bars 51, 52, 73, 74, 79, 80 and 1 more.
It cuts the song into 20 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
35 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 26 out of 100; the rest of the number is everything around it.
85 bars, about 4:03 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 51, 52, 73, 74, 79, 80 and 1 more.