140 bars of 4/4 at a walking 80 BPM, 7:00 of playing, on crash, snare, high tom, mid tom, floor tom and kick.
63 out of 100, a step up from a first song, and the work is in how much of it falls off the beat.
silence through bars 1-4, snare through bars 5-83, toms through bars 84-85, snare through bars 86-91, toms through bars 92-93 and snare through bars 94-140.
The beat the song is built on is one bar, played through bars 94-95, 98-99 and 101, and 8 more places -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
94
1.....2.....3.....4.....
CC |x-----x-----x-----x-----|
SD |------------x-----------|
BD |x-x-x---x-x-x---x-x-x---|10 fills to learn, played 18 times: bars 12, 20, 28, 44, 52, 60 and 12 more.
It cuts the song into 53 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 52 out of 100; the rest of the number is everything around it.
140 bars, about 7:00 at the written tempo. The course breaks it into 53 exercises over 22 sittings, about 24 minutes each.
crash, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 18 times: bars 12, 20, 28, 44, 52, 60 and 12 more.