134 bars of 4/4 at a walking 86 BPM, 5:53 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
65 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-24, silence through bars 25-33, hi-hat through bars 34-64, snare through bars 65-70 and hi-hat through bars 71-88, and 4 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 96-109 -- 11.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
96 97
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
SD |xxxxxxxxxxxxxxxx|xxxxxxxxxxxxxxxx|
BD |x--xx--x--x-xx--|x--xx--x-x-x-xx-|
HF |x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|7 fills to learn, played 53 times: bars 34, 35, 36, 37, 38, 39 and 47 more.
It cuts the song into 41 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
86 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
134 bars, about 5:53 at the written tempo. The course breaks it into 41 exercises over 18 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 53 times: bars 34, 35, 36, 37, 38, 39 and 47 more.