97 bars at 185 BPM -- fast, and 1:59 of it without a break -- on crash, hi-hat, snare and kick.
68 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bars 1-8, hi-hat through bars 9-26, kick and crashes through bars 27-29, hi-hat through bars 30-36, snare through bars 37-38 and hi-hat through bars 39-56, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 19-25 -- 7.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--x-x-o-x-x-x-x-|
SD |------x-----x---|
BD |xxx-x---x-x---xx|12 fills to learn, played 25 times: bars 1, 6, 10, 12, 14, 18 and 19 more.
It cuts the song into 54 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
185 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 75 out of 100; the rest of the number is everything around it.
97 bars, about 1:59 at the written tempo. The course breaks it into 54 exercises over 18 sittings, about 25 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
12 fills to learn, played 25 times: bars 1, 6, 10, 12, 14, 18 and 19 more.