244 bars of 4/4 at a walking 90 BPM, 10:04 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
69 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bars 1-4, hi-hat through bars 5-8, ride through bars 9-16, hi-hat through bars 17-21, ride through bars 22-23 and hi-hat through bars 24-25, and 22 more changes after that.
The beat the song is built on is one bar, played through bars 34-39, 65 and 67, and 8 more places -- 15.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
35
1.......2.......3.......4.......
HH |o---o---o---o---o---o---o---o---|
SD |--x---x---x---x---x---x---x---x-|
BD |x---x---x---x---x---x---x---x---|18 fills to learn, played 43 times: bars 1, 2, 3, 4, 6, 8 and 37 more.
It cuts the song into 53 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 78 out of 100; the rest of the number is everything around it.
244 bars, about 10:04 at the written tempo. The course breaks it into 53 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 43 times: bars 1, 2, 3, 4, 6, 8 and 37 more.