126 bars of 4/4 at 146 BPM, about 3:27 of playing, on crash, ride, hi-hat, snare and kick.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
ride through bars 1-16, hi-hat through bars 17-20, snare through bars 21-23, hi-hat through bars 24-40, kick and crashes through bars 41-44 and ride through bars 45-48, and 8 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 25-35, 49 and 57-66, and 3 more places -- 31% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
25 26
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |--x---x---x---o-|g-x---x---o-----|
SD |----x-------x---|----x------xxxxx|
BD |x---x---x---x---|x---x---x---x---|5 fills to learn, played 11 times: bars 20, 24, 50, 51, 52, 56 and 5 more.
It cuts the song into 40 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
126 bars, about 3:27 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
5 fills to learn, played 11 times: bars 20, 24, 50, 51, 52, 56 and 5 more.