177 bars of 3/4 -- not four -- at 174 BPM, 3:18 of playing on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
72 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-8, snare through bars 9-12, hi-hat through bars 13-27, toms through bars 28-33, ride through bars 34-40 and hi-hat through bars 41-43, and 21 more changes after that.
The beat the song is built on is one bar, played through bars 1-5, 7-16 and 38, and 1 more place -- 10.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2
1...........2...........3...........
HH |------o-----------o-----------o-----|
SD |------x-----------x-----------x-----|
BD |x-----------x-----------x-----------|24 fills to learn, played 47 times: bars 6, 17, 18, 19, 21, 23 and 41 more.
It cuts the song into 76 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
174 BPM, in 3/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
177 bars, about 3:18 at the written tempo. The course breaks it into 76 exercises over 23 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 47 times: bars 6, 17, 18, 19, 21, 23 and 41 more.