88 bars of 4/4 at a walking 77 BPM, 4:34 of playing, on crash, ride, hi-hat, snare and kick.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 3-6, silence through bars 7-8, hi-hat through bars 9-53, snare through bars 54-60, hi-hat through bars 61-68 and silence through bars 69-70, and 1 more change after that.
The beat the song is built on is a 2-bar phrase, played through bars 25-29, 31 and 45-49, and 3 more places -- 32.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
25 26
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|x-------------x-|
HH |--o-x-x-x-o-x-x-|--o-x-x-x-x-x---|
SD |----x-------x---|----x----x--x---|
BD |x-x----x-xx----x|x-xx---xx--x-xx-|3 fills to learn, played 7 times: bars 24, 30, 32, 44, 50, 78 and 1 more.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
77 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
88 bars, about 4:34 at the written tempo. The course breaks it into 26 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 7 times: bars 24, 30, 32, 44, 50, 78 and 1 more.