76 bars of 4/4 at a walking 100 BPM, 3:02 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 1-4, silence through bars 5-6, hi-hat through bars 7-61, kick and crashes through bars 62-66, hi-hat through bars 67-72 and silence through bars 73-76.
The beat the song is built on is one bar, played through bars 9-12, 15-21 and 23-26, and 7 more places -- 59.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
17
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-x---x-|5 fills to learn, played 7 times: bars 22, 27, 35, 44, 61, 70 and 1 more.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
76 bars, about 3:02 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 22, 27, 35, 44, 61, 70 and 1 more.