94 bars of 4/4 at a walking 94 BPM, 4:00 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-24, ride through bars 25-33, hi-hat through bars 34-47, ride through bars 48-56, hi-hat through bars 57-60 and snare through bars 61-63, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 9-23, 34-46 and 57-59, and 1 more place -- 37.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
10
1e+a2e+a3e+a4e+a
HH |xxx-x-x-xxx-x-x-|
SD |----x-------x---|
BD |xxx-----x--x--xx|5 fills to learn, played 8 times: bars 8, 24, 33, 47, 56, 60 and 2 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
94 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
94 bars, about 4:00 at the written tempo. The course breaks it into 24 exercises over 6 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 8, 24, 33, 47, 56, 60 and 2 more.