116 bars of 4/4 at 130 BPM, about 3:34 of playing, on crash, ride, hi-hat, snare, high tom and kick.
19 out of 100: straightforward, and the one thing to watch is how often it moves around the kit.
hi-hat through bars 1-37, silence through bars 38-40, hi-hat through bars 41-42, silence through bars 43-45, hi-hat through bars 46-52 and silence through bars 53-55, and 3 more changes after that.
There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
19 out of 100: straightforward, and the one thing to watch is how often it moves around the kit.
116 bars, about 3:34 at the written tempo. The course breaks it into 11 exercises over 3 sittings, about 20 minutes each.
crash, ride, hi-hat, snare, high tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.