105 bars of 4/4 at a walking 102 BPM, 4:07 of playing, on hi-hat, snare and kick.
53 out of 100, a step up from a first song, and the work is in how much of it falls off the beat.
hi-hat through bars 1-76, silence through bars 77-91 and hi-hat through bars 92-105.
The beat the song is built on is one bar, played through bars 5-10, 31-33 and 35-43, and 3 more places -- 47.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
5
1e+a2e+a3e+a4e+a
HH |x-xxx-xxx-xxx-xx|
SD |----x-------x---|
BD |x-------x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
102 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 39 out of 100; the rest of the number is everything around it.
105 bars, about 4:07 at the written tempo. The course breaks it into 13 exercises over 5 sittings, about 24 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.