130 bars of 3/4 -- not four -- at 74 BPM, 5:16 of playing on crash, ride, hi-hat, snare, floor tom and kick.
30 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 3-16, hi-hat through bars 17-52, snare through bars 53-60, hi-hat through bars 61-85, snare through bars 86-89 and hi-hat through bars 90-121, and 1 more change after that.
The beat the song is built on is one bar, played through bars 4-16, 33-36 and 53-60, and 3 more places -- 48.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
9
1e+a2e+a3e+a
CC |x-x-x-x-x-x-|
SD |------x-----|
FT |x-----------|
BD |x---------x-|2 fills to learn, played 5 times: bars 32, 40, 52, 64 and 101.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
74 BPM, in 3/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
30 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 15 out of 100; the rest of the number is everything around it.
130 bars, about 5:16 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 5 times: bars 32, 40, 52, 64 and 101.