259 bars of 4/4 at 132 BPM, about 7:51 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-18, hi-hat through bars 19-35, silence through bars 36-38, hi-hat through bars 39-50, ride through bars 51-66 and hi-hat through bars 67-98, and 7 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 195-201, 203-208 and 243-245, and 2 more places -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
195 196
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x-----x-----x---|--x-----x---x---|
SD |--------x-------|--------x-------|
BD |xxxxxxxxxxxxxxxx|xxxxxxxxxxxxxxxx|16 fills to learn, played 46 times: bars 26, 34, 38, 39, 40, 41 and 40 more.
It cuts the song into 64 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
259 bars, about 7:51 at the written tempo. The course breaks it into 64 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 46 times: bars 26, 34, 38, 39, 40, 41 and 40 more.