110 bars of 4/4 at 136 BPM, about 3:14 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-54, ride through bars 55-70, hi-hat through bars 71-98 and ride through bars 99-110.
The beat the song is built on is one bar, played through bars 19-21, 23-32 and 41-53, and 4 more places -- 39.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
19
1e+a2e+a3e+a4e+a
HH |----x-------x---|
SD |----x-------x---|
BD |x-------x-------|
HF |x-x---x-x-x---x-|4 fills to learn, played 10 times: bars 34, 36, 38, 40, 70, 72 and 4 more.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
110 bars, about 3:14 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 34, 36, 38, 40, 70, 72 and 4 more.