254 bars at 165 BPM -- fast, and 6:09 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
85 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.
hi-hat through bars 1-19, ride through bars 20-35, hi-hat through bars 36-51, ride through bars 52-67, hi-hat through bars 68-83 and ride through bars 84-100, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 20-22, 24-25 and 28-29, and 17 more places -- 24.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21
1.......2.......3.......4.......
RD |x----x-----x----x----x-----x----|
SD |----x-------x-------x-------x---|
BD |x-------x-------x-------x-------|16 fills to learn, played 32 times: bars 4, 12, 16, 18, 19, 23 and 26 more.
It cuts the song into 62 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
165 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
85 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
254 bars, about 6:09 at the written tempo. The course breaks it into 62 exercises over 21 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 32 times: bars 4, 12, 16, 18, 19, 23 and 26 more.