98 bars of 4/4 at a walking 103 BPM, 3:48 of playing, on crash, hi-hat, snare and kick.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-12, snare through bars 13-34, kick and crashes through bars 35-36, snare through bars 37-51, silence through bars 52-53 and snare through bars 54-60, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 13, 15-17 and 19, and 11 more places -- 44% of every bar the kit plays. Learn that one and most of the song is already under your hands.
15
1...........2...........3...........4...........
SD |---------x--------x--------------x--------x-----|
BD |x-----------x-----------x-----------x-----------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 15 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
103 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
98 bars, about 3:48 at the written tempo. The course breaks it into 15 exercises over 5 sittings, about 26 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.