190 bars of 4/4 at 114 BPM, about 6:40 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-12, hi-hat through bars 13-36, ride through bars 37-40, hi-hat through bars 41-64, ride through bars 65-112 and hi-hat through bars 113-120, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 37-40, 66 and 68, and 9 more places -- 11.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
73
1e+a2e+a3e+a4e+a
RD |x---x---x---x---|
SD |--------x-------|
BD |x---------x---x-|7 fills to learn, played 19 times: bars 52, 63, 64, 80, 85, 86 and 13 more.
It cuts the song into 65 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 27 out of 100; the rest of the number is everything around it.
190 bars, about 6:40 at the written tempo. The course breaks it into 65 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 19 times: bars 52, 63, 64, 80, 85, 86 and 13 more.