162 bars of 4/4 at 115 BPM, about 5:31 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
56 out of 100, a step up from a first song, and the work is in how fine the subdivision is.
hi-hat through bars 1-34, snare through bars 35-36, hi-hat through bars 37-41, snare through bars 42-44, hi-hat through bars 45-48 and snare through bars 49-52, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 1-3, 5 and 7, and 20 more places -- 25.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1
1...........2...........3...........4...........
CC |x-----------------------------------------------|
HH |------------o-----------o-----------o-----------|
SD |------------------------x-----------------------|
BD |x-----------------------------------------------|10 fills to learn, played 18 times: bars 8, 14, 22, 30, 34, 38 and 12 more.
It cuts the song into 57 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
115 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 25 out of 100; the rest of the number is everything around it.
162 bars, about 5:31 at the written tempo. The course breaks it into 57 exercises over 14 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 18 times: bars 8, 14, 22, 30, 34, 38 and 12 more.