72 bars of 4/4 at 114 BPM, about 2:32 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
ride through bars 2-9, silence through bars 10-19, ride through bars 20-27, snare through bars 28-29, silence through bars 30-49 and ride through bars 50-63, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 2-4, 6-7 and 20-22, and 7 more places -- 58.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
3
1e+a2e+a3e+a4e+a
RD |x---x---x---x---|
SD |----x-------x--x|
BD |x-x--x--x--x-x--|5 fills to learn, played 7 times: bars 5, 23, 27, 28, 53, 57 and 1 more.
It cuts the song into 14 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
72 bars, about 2:32 at the written tempo. The course breaks it into 14 exercises over 4 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 5, 23, 27, 28, 53, 57 and 1 more.