97 bars of 4/4 at 124 BPM, about 3:08 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 2-54, silence through bars 55-57, hi-hat through bars 58-69, silence through bars 70-71 and hi-hat through bars 72-97.
The beat the song is built on is one bar, played through bars 18, 20 and 22, and 13 more places -- 26.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
20
1e+a2e+a3e+a4e+a
HH |xxxo-xxxxxxo-xxx|
SD |----x-------x---|
BD |x--x----x--x----|
HF |----x-------x---|8 fills to learn, played 13 times: bars 9, 17, 21, 37, 41, 45 and 7 more.
It cuts the song into 30 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
97 bars, about 3:08 at the written tempo. The course breaks it into 30 exercises over 12 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 9, 17, 21, 37, 41, 45 and 7 more.