63 bars, 4:19, at 58 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
72 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 2-48, ride through bars 49-51 and hi-hat through bars 52-63.
The beat the song is built on is one bar, played through bars 16-18, 20-24 and 36-38, and 3 more places -- 41.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
16
1.......2.......3.......4.......
CC |x-------------------------------|
HH |----o---o---o---o---o---o---o---|
SD |----x-------x-------x-------x---|
BD |x--x--x---x---x-x--x--x---x---x-|4 fills to learn, played 8 times: bars 19, 39, 45, 49, 50, 51 and 2 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
58 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
63 bars, about 4:19 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 19, 39, 45, 49, 50, 51 and 2 more.