182 bars at 204 BPM -- fast, and 3:35 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-9, snare through bars 10-25, hi-hat through bars 26-33, snare through bars 34-64, silence through bars 65-78 and kick and crashes through bars 79-96, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 36-38, 40-41 and 44-46, and 6 more places -- 12.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
36
1e+a2e+a3e+a4e+a
SD |x-g-g-g-g-g-g-g-|6 fills to learn, played 9 times: bars 25, 29, 42, 50, 96, 97 and 3 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
204 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 0 out of 100; the rest of the number is everything around it.
182 bars, about 3:35 at the written tempo. The course breaks it into 46 exercises over 11 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 9 times: bars 25, 29, 42, 50, 96, 97 and 3 more.