217 bars of 4/4 at a walking 100 BPM, 8:37 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-16, ride through bars 17-22, hi-hat through bars 23-36, ride through bars 37-47 and hi-hat through bars 48-49, and 14 more changes after that.
The beat the song is built on is one bar, played through bars 78-79, 81-84 and 90-91, and 17 more places -- 26.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
78
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----x---x---x---|
SD |----x-------x---|
BD |x-------x-x-----|7 fills to learn, played 19 times: bars 9, 15, 21, 27, 33, 36 and 13 more.
It cuts the song into 51 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 33 out of 100; the rest of the number is everything around it.
217 bars, about 8:37 at the written tempo. The course breaks it into 51 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 19 times: bars 9, 15, 21, 27, 33, 36 and 13 more.