101 bars of 4/4 at 114 BPM, about 3:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
73 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bar 1, silence through bars 2-5, hi-hat through bars 6-17, ride through bars 18-29, hi-hat through bars 30-41 and ride through bars 42-85, and 1 more change after that.
The beat the song is built on is one bar, played through bars 6-8, 10-12 and 14-16, and 7 more places -- 29.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x----x--x---|
BD |x--x--x---xx----|16 fills to learn, played 20 times: bars 17, 21, 25, 29, 41, 45 and 14 more.
It cuts the song into 40 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
101 bars, about 3:33 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 20 times: bars 17, 21, 25, 29, 41, 45 and 14 more.