124 bars of 4/4 at a walking 87 BPM, 4:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-5, ride through bars 6-60, silence through bars 61-101 and ride through bars 102-124.
The beat the song is built on is one bar, played through bars 7, 9 and 12, and 5 more places -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
35
1e+a2e+a3e+a4e+a
CC |--------------x-|
RD |x-x-x-x-x-x-x---|
HH |-o--------------|
SD |----x-------x---|
BD |--x-----x--x--x-|
HF |--x-------------|4 fills to learn, played 18 times: bars 45, 47, 105, 106, 107, 108 and 12 more.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
124 bars, about 4:56 at the written tempo. The course breaks it into 31 exercises over 13 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 18 times: bars 45, 47, 105, 106, 107, 108 and 12 more.