102 bars of 4/4 at a walking 96 BPM, 4:15 of playing, on hi-hat, snare, kick and hi-hat foot.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-22, snare through bars 23-28, hi-hat through bars 29-73, snare through bars 74-76 and hi-hat through bars 77-102.
The beat the song is built on is one bar, played through bars 1-22, 29-46 and 54-56, and 4 more places -- 72.5% of every bar the kit plays. Learn that one and the song is very nearly finished.
1
1e+a2e+a3e+a4e+a
HH |x-x-x-xxx-x-x-x-|
SD |----x-------x--x|
BD |x------xx-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
102 bars, about 4:15 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 29 minutes each.
hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.